This captivating full-length documentary goes in-depth into the heart of New York’s most extravagant era by covering the grandeur and eventual demise of some of the most opulent mansions hat once adorned the city’s streets and offering a unique window into a bygone era of luxury and architectural ambition.
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The Wealthy Families Who Ruled The Gilded Age (Documentary): https://www.youtube.com/watch?v=gxkBlILfgEU
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The “Old Money” Families Who Built New York (Documentary): https://www.youtube.com/watch?v=7ESdIZo2o9I
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TIMESTAMPS
0:00 The Charles M. Schwab Mansion
12:17 The Vanderbilt Triple Palace
30:45 The Louis Comfort Tiffany Mansion
41:49 The Waldorf and Astor Hotels
51:52 The Dakota
1:08:36 The Mansions That Inspired The Great Gatsby
1:02:05 The Old Penn Station
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Embark on a fascinating journey through the iconic mansions and landmarks that have defined New York City’s architectural and social landscape. This captivating exploration delves into the history and stories behind some of the most renowned and opulent structures in the city, providing a unique glimpse into a bygone era of luxury and elegance.
The adventure begins with the Charles M. Schwab Mansion, a testament to the grandeur of America’s Gilded Age. This magnificent structure, once a symbol of wealth and power, stands as a reminder of the lavish lifestyles of America’s industrial magnates. Discover the intricate details and architectural marvels that make this mansion a historical gem.
Next, the journey takes us to the Vanderbilt Triple Palace, a sprawling complex that epitomizes the opulence of the Vanderbilt family. This segment unveils the secrets and stories of one of America’s most influential families, showcasing the architectural brilliance and luxury that defined their residences.
The exploration continues with the Louis Comfort Tiffany Mansion, a residence that not only served as a home but also as a canvas for Tiffany’s artistic genius. The mansion’s intricate designs and innovative use of stained glass highlight Tiffany’s legacy in the world of art and design.
Our exploration then leads us to the Waldorf and Astor Hotels, epitomes of luxury and sophistication in the heart of New York City. These hotels have hosted royalty, celebrities, and political figures, each leaving their mark on the rich history of these establishments.
The journey wouldn’t be complete without a visit to The Dakota, one of New York City’s most mysterious and iconic buildings. Known for its distinctive architecture and famous residents, The Dakota’s walls hold stories of glamour, intrigue, and artistic brilliance.
As we near the end of our journey, we delve into the mansions that inspired F. Scott Fitzgerald’s “The Great Gatsby.” These grand residences, symbols of the Roaring Twenties, offer a glimpse into the extravagant parties and luxurious lifestyles that inspired one of America’s greatest novels.
Finally, we pay homage to the Old Penn Station, a lost architectural marvel that once stood as a symbol of New York City’s grandeur. Its demolition sparked a movement to preserve the city’s architectural heritage, leaving a lasting impact on urban planning and preservation.
This enthralling exploration of New York City’s most iconic mansions and landmarks offers viewers a chance to experience the elegance, luxury, and history of an era that has left an indelible mark on the city’s cultural and architectural landscape. Uncover the stories of wealth, power, and artistic expression that these magnificent structures embody, and immerse yourself in the rich tapestry of New York City’s history.
If you’ve clicked on this you’re already wondering why would New York City the Big Apple City of Dreams destroy one of its most prized architectural gems adorned with intricate Stone carvings and lavished with bronze details the Charles M Schwab Mansion was once a crown jewel that stood grandly on the
Growing Manhattan skyline resplendant in its bow art style the Mansion completed in 1906 was the epitome of Gilded Age opulence each one of its 75 rooms showcased the finest EX examples of artisan craftsmanship frescoed ceilings that told Tales of centuries long gone hand laid Mosaic floors reflecting the glittering chandeliers above and walls
Of mahogany and imported silk that whispered stories of the privileged few who had crossed their thresholds Gardens designed by the famed landscape architect Charles wford levit surrounded this massive Abode creating a sanctuary of Tranquility amidst the constant bustle of the city the Charles M Schwab Mansion was an a inspiring residential
Monument to an Era when the city’s Elite like its steel magnate owner wielded their wealth with an ostentatious Display of Power of course with all of this once standing in beautiful Granite reality one can’t help but wonder how did such a remarkable Monument to excess
Meet its fateful end in a cloud of dust and Rubble replaced by cheap apartments in today’s video at Old Money Mansions we’ll tell you the true rags to riches to rags story of its Builders what possessed them to build such a palatial Abode in what would become the center of
America’s largest city and how it sadly met its final demise as we describe why New York’s most opulent Mansion was demolished for cheap apartments Charles M Schwab it’s a name that’s more than just a name it’s a symbol a snapshot of a time when the clang of metal and the glow of molten
Steel with the Beating Heart of America born in 1862 to a blanket manufacturer in the quaint burough of Williamsburg p Pennsylvania little did anyone suspect that this modest lad Would One Day become a Titan of the steel industry life began simply for Schwab his hands learning the gritty texture of honest
Labor at Edgar Thompson steelworks an Enterprise owned by the formidable Andrew Carnegie but it was soon clear that Schwab was not one to be confined within the Maze of machines and molten metal his people skills and harmonious leadership style caused him to climb the ranks reaching the Zenith as the
President of Carnegie Steel yet this was only the beginning Schwab would become the first president of the United States Steel Corporation masterminded by the legendary JP Morgan before setting up Bethlehem Steel which would claim its own spot as the second largest steel producer in America even though wealth poured in Schwab remained warm-hearted
Known for his downto Earth Charisma and ability to connect with people amidst all this he found love and married Emma urana dinki in 1883 the future uran Schwab grew up in the modest charm of Weatherly Pennsylvania a far cry from the opulent life that would eventually
Unfurl before her as the spouse of one of the wealthiest individuals on the globe her life took a dramatic turn in 1883 when she crossed paths with Charles M Schwab who was then residing in bradock Pennsylvania during his tenure at the Edgar Thompson steel works as the Schwab Fortune swelled urana with Grace
And adaptability transitioned into their increasingly luxurious curious lifestyle she was by Charles side at glittering social events and within the lavish walls of their opulent residences and urana wasn’t simply a silent partner in their matrimonial Bliss when Charles stood on the precipice of a Monumental $50 million offer for half of the
Bethlehem Steel company he sought uran’s Council seeing her as a shared partner in the business claim this detail not only sheds light on their marital Dynamic but also suggests that uran Schwab played an active and influential role in their fiscal decisions sharing in their triumphs and navigating their
Vast wealth together it paints a picture of a woman who was more than just a companion she was a confidant a partner and at times Cog in the Schwab Empire before the Grandeur of the subject of today’s video the 75 room Mansion Riverside in Manhattan’s Upper West Side
Schwab resided in a stately house in bradic Pennsylvania a stunning creation of brick and Sandstone built between 1890 and 1893 it showcased Schwab’s status as the superintendent of the nearby Edgar Thompson steelworks tennis courts green houses a carriage house and a stone porch provided a canvas for leisure while the Interiors were a
Masterclass in Oak paneling a grand staircase wide stained glass windows and ornate fireplaces soon Charles M Schwab set his sights on a Grand Vision a contemporary Mansion a Cutting Edge Sanctuary standing in defiance of the traditional Grandeur of Fifth Avenue his eyes landed on a coveted plot on Riverside Drive
Nestled between 73rd and 74th streets the perfect canvas for his modern chatau now urana initially bulked at the idea of uprooting so far from her Social Circles a Bonafide socialite who enjoyed the glamour of Central Park’s balls she feared isolation from her close-knit community of friends Charles however
Comforted her with a promise that their forthcoming home would be an irresistible lure for any guest subsequently Schwab in his his daring pursuit of architectural Grandeur appointed Morris Hebert an architect yet to secure a significant reputation with the a inspiring task of Designing his Boart inspired Palace over an intense
Period of four years this all striking Monument of pink Granite began to emerge a true Testament to the ambitious Vision that guided it the Bozart style steeped in the robust traditions of ancient Roman and Greek Aesthetics was widely favored in the United States from the late 19th to the early 20th th Century
It reflected an amalgamation of classical elements and the glamour of modernity striking an impressive balance between the two these Grand Mansions were symmetrical in design hearkening back to the classical emphasis on Harmony and balance the Interiors were thoughtfully structured with a clear demarcation between formal entrances grand staircases and the intimate
Quarters designed for daily living classic Greek and Roman architectural elements like columns pediments and cornices were employed to infuse a sense of timelessness and sophistication elaborate ornamentation was characteristic of bozar with intricate sculptural reliefs freezes and moldings adorning the surfaces statues and Figures were often incorporated into the facades amplifying the Grandeur and
Opulence of the design the first floor of these palaces was usually elevated bestowing upon it an air of prominence and importance materials like Limestone marble or Granite were predominantly used enhancing their imposing and or inspiring Visage in particular the Gilded Age saw the rise of various Bo Arts Marvels like the Vanderbilt mansion
The so-called triple Palace in New York City the Henry Morrison Flagler Museum AKA whiteall in Palm Beach and the breakers mansion in Newport Rhode Island these Mansions were designed to be dazzling emblems of wealth flaunting Sumptuous Interiors grand staircases elaborate Woodwork and extravagant Furnishings additionally the Boart style
Was not only limited to private residences but also extended to public edifices like libraries museums and government offices it was seen as a manifestation of prestige and civic pride adding to the architectural Allure of the urban landscape now back to our audacious Schwab Mansion a staggering $3
Million each was spent on the house and its Furnishings a total of $6 million or a jaw-dropping $200 million in today’s currency so magnificent was this 75 room mansion that even Schwab’s Ur while boss and arguably the second richest man in American history Andrew Carnegie conceded have you seen that place of
Charlie’s it makes mine look like a shack indeed nothing less than bespoke would suffice for Schwab over a 100 Artisans designers and Engineers were employed to meticulously craft every detail of the Mansion noteworthy works of art were recreated in house and even Schwab’s collection of tapestries took a
Detour to the 1904 World’s Fair before adorning his residence the Mansion boast marble pillars South American mahogany paneling a custom Chapel large enough to accommodate an orchestra a bowling alley and a glazed brick pool a home gym of unprecedented scale and an art gallery filled with $50 million worth of art a
Quarter of the mansion’s overall budget added to its Splendor other remarkable features included a power plant air conditioning and six elevators luxuries unheard of in even the most elite homes of the era confirming Schwab’s Mansion as a groundbreaking Beacon of modernity however despite the glory of his domicile soon Schwab’s personal life
Began to unravel notorious for his flamboyant lifestyle Grand parties high stakes gambling and multiple extramarital Affairs his Antics including fathering a child out of wedlock strained his relationship with urana his extravagant expenditures and risky Ventures including a memorable instance of breaking the bank at the Monte Carlo Casino in Monaco led to the
Depletion of his fortune once estimated between $25 million and $40 million equivalent to 500 million and 800 million in today’s currency his Mansion an incarnation of his Innovative spirit and love for luxury also served as a backdrop to his tumultuous personal life however it was through these
Troubles that we can with hindsight at our sides see the extravagant Charles M Schwab Mansion was on a calamitous trajectory towards its demise urana Charles’s wife whose social life had been promised to burgeon in the mansion additionally found herself sinking into an engulfing Melancholy gradually she shunned the social mure seeking Solace
Within the grand walls of her Mansion distancing herself from the city’s Glitz and Glam even declining prestigious invites including those from the White House the burgeoning isolation paralleled her physical transformation urana who was once the radiant Bell of society was becoming overweight and the stigma associated with her changing
Appearance pushed her further into her self-imposed Exile thus the Mansion once alive with energy and laughter became a sanctuary of solitude in 1917 with World War I ravaging the world urana breathed life back into the Mansion opening its Grandeur to the Red Cross allowing the vast space to contribute to the war
Effort however the Schwab’s Endeavor to reclaim a sense of normality was abruptly disrupted by the cataclysm that was the Great Depression Charles Ur while a Titan of Industry witnessed his fortune in evaporating overnight desperate he listed the Mansion on the market for 4 million roughly 71 million in today’s dollars with no buyers
Forthcoming and the maintenance of the Mansion turning insurmountable Charles found himself marooned within his own architectural Masterpiece in 1939 Charles now merely a walking echo of his former glory packed his possessions and moved to a modest Park Avenue Apartment A year later he passed away leaving behind a legacy diminished to Mere
Pennies the Mansion once the Pinnacle of luxury and opulence stood eerily abandoned although there were deliberations about repurposing the Mansion for government use the mayor refuted the idea deeming the Mansion too grandiose for such functionality sadly the dismantling of the Charles M Schwab Mansion began in 1948 its ornate
Mahogany doors and exquisitely carved marble pilasters were salvaged and later installed in Brooklyn’s Our Lady of Lebanon Cathedral the mansion’s former glory was replaced by a large red brick apartment complex aptly named the Schwab house the 19 story 636 unit Schwab house was completed in 1950 and transitioned
From rental to co-op in 1984 marking the final chapter of the Charles M Schwab mansion’s Legacy in the glittering heart of New York City where ambition touches the sky the legendary Vanderbilt triple Palace Mansion once reigned Supreme shining brightly on Fifth Avenue in the heart of the Gilded Age in the triple
Palace’s resplendant halls and opulent rooms the creme de La Creme of high society danced dined and whispered Secrets turning this grandiose residence into the pulsating heart of New York’s Elite and this one-of-a-kind Mansion wasn’t merely a home it was the very embodiment of extravagance and an architectural Marvel that actually
Helped shape Fifth Avenue into the most famous street for luxury in the world yet in a dramatic twist that Echoes the capricious nature of the Vanderbilt Fortune itself self this emblem of Splendor and wealth spiraled into an unimaginable decline in a heart-wrenching finale this once Majestic symbol of the unfathomable
Wealth in the Big Apple was demolished its downfall a poignant reminder of the ephemeral nature of riches and the Relentless March of time in today’s episode we’ll retell the entire Saga of the legendary Vanderbilt triple Palace from its Heyday to its shocking downfall as we describe why New York’s most
Luxurious Gilded Age Mansion was demolished in order to best understand both the unimaginable wealth and unspeakable demolition of the triple Palace we must first get acquainted with its owners you see in the history of America’s Gilded Age during the late 19th century the story of William Henry
Vanderbilt soon took Center Stage as his surname became a byword for ambition and Architectural Grandeur the son of Cornelius Vanderbilt William Henry was born in into a world where his father’s remarkable Journey from a modest farmer to a Titan of Industry cast a long Shadow Cornelius who started with a
Simple ferry service in New York Harbor expanded his empire into the Realms of Maritime trade and later the burgeoning railroad industry all the while amassing unparalleled wealth and influence thus William Henry grew up witnessing his father’s Relentless pursuit of success a trait that profoundly shaped his own aspirations and approached to life his
Upbringing under the guidance of a father who was not just an entrepreneur but a tough as Nails Visionary instilled in him a deep understanding of business and the importance of strategic thinking throughout his youth William Henry often found himself at the receiving end of his father’s harsh criticisms with Cornelius frequently dismissing his
Eldest son as a blockhead and a blather skin such harsh words left a deep impact on William Henry who harbored a strong desire to prove to his father that he was far from being a BL skite yet he never mastered the courage to confront the Commodore directly this complex
Relationship with his father played a pivotal role in shaping William Henry for the enormous responsibilities he would later assume as the successor to the Vanderbilt Legacy and as the new patriarch in the Family behind some of America’s most grandiose early mega mansions then the death of Cornelius in
1877 marked a turning point for William Henry who inherited not just a colossal Fortune but also the onus of perpetuating the van underbuilt Dynasty consequently in 1878 William Henry seized the moment to establish his own legacy and honor his father’s Grand Visions by commencing the construction of what would be known as
The triple Palace this endeavor was more than just the creation of a Sumptuous residence it was a tangible manifestation of the Vanderbilt family’s ascending social prominence and William Henry’s personal Ambitions indeed the project was likely a deliberate and strategic move to assert his Worthy as the steward of the Vanderbilt name
And to demonstrate that he had indeed emerged from the shadow of his father’s overwhelming presence therefore it is reasonable to assert that the construction of the triple Palace was not just an architectural feat but a psychological Triumph for William Henry in building such an extravagant Mansion
He not only solidified his position as a formidable figure in business and Society but also symbolically contested his father’s earlier doubts about his capabilities we could perhaps say that it was William Henry’s way of silently proclaiming to the world and perhaps to the spirit of his late father that he
Was indeed worthy of carrying the name Vanderbilt and that this Grand edifice stood as an emblem of his success however little did William Henry know that soon after the construction of his Grand Mansion was complete he himself would meet an unexpected end and have little time to enjoy this architectural
Icon built to give proof to his late father of his son’s worthiness in 1879 William Henry Vanderbilt first began to enliven his vision for what would become the triple Palace by acquiring a prime land lot on the west side of Fifth Avenue nestled between 51st and 52nd streets this site once the
Domain of sheep farmer Isaiah Kaiser and positioned diagonally across from the Majestic St Patrick’s Cathedral came with a significant history and a hefty price tag of $500,000 a figure adjusted downward from its original $800,000 asking price in the aftermath of the Panic of 1873 however this strategic acquisition
Was more than just an investment it was a statement the site’s location and its exorbitant cost were reflective of the Vanderbilt family’s Rising prominence and their commitment to establishing a formidable presence on Fifth Avenue and this vision for Grandeur was shared by Vanderbilt’s Elder Sons Cornelius and William kissum who were concurrently
Planning their own state residences nearby Cornelius Vanderbilt the second house five blocks to the north and William K Vanderbilt house just a block away by April 1879 the stage was set as existing tenants on the newly acquired property were vacated Paving the way for Vanderbilt’s Grand Vision the year 1881
Marked the commencement of this Monumental project to bring his vision to life he employed John B snook and Charles B Atwood for the mansion’s design and Furnishing additionally the renowned her brothers were brought on board to enhance the interior with their decorative expertise now while snook was officially the architect on record for
The Mansion there is compelling evidence indicating the involvement of both Atwood and the herter brothers in the project this collaboration however was not without its complexities the herter brothers challenged The Narrative that solely credited snook or Atwood with the mansion’s overall design and this dispute reached a public forum when the
Hera Brothers voiced their concerns in a letter to American architect and building news responding to this contention the journal’s editors noted that the building permit for the Mansion listed both Atwood and Snook’s names seemingly affirming their primary roles in the design process this detail underscores the intricate Dynamics and collaborative efforts behind the
Creation of Vanderbilt’s Mansion the involvement of these distinguished Architects and decorators each with their unique contributions illustrates the elaborate and multiac nature of this architectural Endeavor now the mansion’s Interiors a fusion of luxury and cuttingedge design featured a majestic staircase and state-of-the-art amenities setting a new Benchmark for residential
Grandeur the design of the 58 rooms in Vanderbilt section was a kaleidoscope of styles each room a unique homage to the Vanderbilt family’s diverse tastes and meticulous attention to detail drawing inspiration from European palaces the mansion’s architectural blueprint conceived in 1882 was a grandiose celebration of opulence on an unprecedented scale the residence
Comprised two distinct sections a southern single family unit for William Henry Vanderbilt and a northern two family unit for his daughters and their families this Innovative design concept allowed for familial proximity while respecting the individuality and privacy of its inhabitants the Palaces every detail from spatial arrang ments to
Decorative elements was a deliberate expression of the Vanderbilt’s aesthetic preferences the ground floor housed an ornate dining room Library parlor and drawing room the second floor was reserved for the private quarters of William his wife and their youngest children a standout architectural Marvel was the Colossal Ballroom ingeniously
Designed to merge the drawing rooms of each section into a singular expansive space spanning an entire city block and the construction of the triple Palace was a a significant undertaking mobilizing hundreds of workers and altering the very fabric of Midtown Manhattan in 1883 the Mansion pioneered the use of steel framing a revolutionary
Technique that would later become synonymous with skyscraper construction additionally imported marbles were integrated into the design enhancing the mansion’s luxurious appeal these Innovations were not merely aesthetic they marked a significant advancement in architectural technology laying the groundwork for the construction of more formidable structures however the project was not devoid of challenges
Integrating modern utilities into such an ambitious design was a formidable task reflective of the broader complexities faced by Architects during this era of Rapid urbanization and technological progress but then the mansion’s completion in 1882 was a remarkable achievement showcasing the expertise and determination of The Architects and workers it comprised a
Southern single family unit for Vanderbilt and a northern two family unit for his daughters tragically less than 5 years after its completion William Henry Vanderbilt passed away in December 1885 his will ensured that the mansion and its contents would remain within the family with his wife Maria receiving a life interest and his
Youngest son George a future interest in the property however despite the legendary Patriarchs untimely demise coinciding with early days of the history of the Mansion the fun at the triple Palace was actually just Beginning now the triple Palace in the 1890s became synonymous with extravagant events drawing the elite of New York Society these events were Not Mere social Gatherings but Grand spectacles that held the city’s attention the Vanderbilt ball a highlight of this era was more than a mere party it was a
Magnificent display of wealth and power changing the Dynamics of New York’s Elite Society it began with a unique hobby horse quadril and lasted until the early morning hours leaving an indelible mark on the attendees and the city’s social scene and the guest list at these events
Read like a who’s who of the Gilded Age members of the 400 led by Caroline sherah horn Aster graced these events setting the standards for high society and their presence not only elevated the status of these gatherings but also reflected the societal hierarchy of the time now entertainment at the triple
Palace was diverse and opulent theater troops ventriloquists hypnotists poets comedians choirs and orchestras were regular features providing a rich tapestry of experiences and art exhibitions and lessons in singing dancing and cooking added to the cultural richness of the Mansion offering a variety of experiences to its distinguished guests the meteor of the
Era played a pivotal role in amplifying the impact of these events newspapers with their Banner headlines and detailed coverage brought these gatherings into the public domain creating a buzz around the triple Palace and its events this coverage not only intensified The public’s Fascination but also cemented the mansion’s place in New York’s social
History however despite its Grandeur and influence the triple Palace faced criticism particularly for its overt display of wealth but the mansion’s architectural presence on Fifth Avenue significantly influenced the Street’s transformation into a prestigious address its opulence inspired the construction of other lavish Mansions not only in New York but also elsewhere
Reflecting the era’s emphasis on wealth and Status thus by the turn of the century the triple Palace had gained recognition for its architectural and social significance its influence extended Beyond architecture and high society playing a crucial role in transforming Fifth Avenue into a luxury retail destination this Vanderbilt
Triple Palace in all its Splendor was therefore not just a home or a venue for Gathering ings it was a cultural institution a symbol of an era and a reflection of the Vanderbilt family’s stature in American history however almost as quickly as its Heyday commenced it would soon fall apart as
The valleys and peaks of the new tumultuous 20th century would begin in the early 20th century the architectural landscape of New York was undergoing a remarkable transformation at the heart of this Evolution was the southern half of the Vanderbilt Mansion a splendid structure that caught the
Attention of Henry Clay Frick a Titan in the railroad industry frick was no stranger to luxury and Prestige and his interest in the Mansion mirrored his Ascent in the business World it all started in January 1905 when Douglas Robinson of Robinson Brown and Company informed Frick of the rental opportunity
For this illustrious space seizing the moment Frick and his wife embarked on an ambitious renovation project spearheaded by hunt and Hunt cost in a substantial $100,000 at the time their efforts brought modern touches to the mansion introducing electric lighting and contemporary bathrooms a clear reflection of their Forward Thinking
Vision and the renovation was more than an exercise in modernization it was a statement of Frick’s status a new Brownstone wall and a private driveway OFF Fifth Avenue were not merely functional but symbols of exclusivity and privacy by October 1905 the Fricks had moved into this reimagined space
Making it a home reflective of their stature despite attempts to purchase the Mansion legal constraints tied to Vanderbilt’s will prevented this leading Frick to eventually commission his own residence on the Upper East Side but as the century further unfolded societal shifts began to reshape the fabric of
New York’s Elite the preference for more intimate and discreet Living Spaces marked a departure from the Grandeur of the Vanderbilt triple Palace the Mansion once a beacon of luxury found itself at odds with with the evolving ethos of high society after Frick’s departure Cornelius Vanderbilt III undertook a half million renovation under the
Guidance of horis trumbauer this period marked a Resurgence in the mansion’s significance hosting dignitaries and world leaders including Winston Churchill yet as the 1920s dawned the Relentless March of commercialization along Fifth Avenue coupled with escalating taxes signaled a change the once residential area was yielding to commercial interests a shift that saw
Emily Vanderbilt Sloan part with the northern residents and then the Great Depression further complicated the Vanderbilt Legacy Financial pressures led to unprecedented decisions such as opening the builtmore estate to the public therefore the Vanderbilt triple Palace a Marvel of its time similarly had to confront the realities of the era
The burdensome costs of upkeep in an economy gripped by depression made the maintenance of such a lavish property a challenge too great to surmount and soon the ultimate decision would have to be made if it was worth it to even keep the mansion in existence at all the year 1940 marked a significant
Turning point in the mansion’s storied history Cornelius III parted with the southern portion of the triple Palace selling it to the William Waldorf Aster estate this transaction executed contrary to the desires of the original Builder and owner the aforementioned William Henry Vanderbilt signaled the commencement of a transformational era
For the property the aster estate keen on Redevelopment then sought to repurpose the site which had become enveloped by burgeoning commercial Enterprises including the notable Rockefeller Center it was during this transitory phase that the Vanderbilts orchestrated their last grand events within the mansion’s walls a brief glimpse into its Majestic Interiors was
Offered to the public in July 1941 with an admission fee aimed at supporting the United service organization moreover an American Red Cross benefit in February 1942 saw over a thousand guests Grace its Halls however the demise of Cornelius III in March 1942 marked an end to its era of grandeur as
Noted by The Herald Tribune then the Aster’s vision for the site materialized in 1944 with plans for a commercial establishment the following year witnessed Grace Cornelius III’s Widow auctioning off the Vanderbilt art collection a sale that resulted in a financial loss compared to the collection’s original value however tragically the demolition of its
Southern section began in 1947 culminating in the complete raising of the structure by March 1949 Paving the way for new buildings at 640 and 65th Avenue and the mansion’s downfall was met with media lamentation acknowledging its role as a relic of a bygone era its replacement by modern commercial
Buildings sign ified a pivotal alteration in the city’s architectural and socioeconomic fabric yet these days in the 21st century fascination with the Gilded ages architectural splendors especially the triple Palace persists among historians and the general public this interest is not merely nostalgic but also serves as a source of inspiration for contemporary
Architectural Pursuits and the Mansions influence is notably seen in Henry Clay Frick’s decision to construct a residence mirroring its Style now renowned as the frick collection therefore the triple Palace in its Journey from magnificence to memory encapsulates more than just an architectural story it represents a crucial chapter in New York’s evolving
Identity a reflection of the city’s Perpetual metamorphosis Once Upon a Time in the heart of New York City stood a mansion so luxurious that it was known as The Jewel of Fifth Avenue this eye waveringly beautiful Abode was the home of Lou Comfort Tiffany one of the world’s most famous Jewelers and
Designers indeed the Mansion was a masterpiece of American architecture and design symbolizing Tiffany’s success and his love of Art and yet in 1936 the Mansion was demolished certainly a tragic loss for New York City and to this day it remains a controversial Topic in today’s video at Old Money
Mansions we’ll explain how such a glittering jewel in the city that never sleeps could ever be removed and tell you why New York’s most luxuous ious Mansion was demolished born into a family already bathed in the aura of luxury and Artistry Lou Comfort Tiffany was born in
New York City on the 18th of February 1848 he was the son of Harriet Olivia Avery young and Charles Lewis Tiffany the latter being the founder of the inimitable jewelry Empire Tiffany and Company though his early life involved stints at military acmy the magnetic pull of the Arts was irresistible likely
Influenced by his father’s involvement in fine and decorative Arts he sought the mentorship of renowned painter George inis and had a meteoric rise joining the American Society of painters in watercolor by just 19 while his Works found a place at the esteemed National Academy of Design indeed Tiffany’s
Artistic Endeavors were not limited to one medium his herv stretched from painting to Ceramics jewelry design and metal work all through the transformative decades from the 1870s to the 19 20s however he carved a niche in the annals of art history for his Innovations in stained glass making him
An eminent figure in the American art nuuvo movement specifically his genius was part of the esteemed Associated artists Collective collaborating with such illustrious names as Lockwood De Forest Candice wheeler and Samuel Coleman now one might surmise that a man of Tiffany’s artistic passion and family Legacy would seek to manifest his ideals
In a personal space a sanctuary of aesthetic expression thus the seeds were swn for the Tiffany Mansion as a resounding statement of his family’s artistic and business Legacy as well as his personal love for multiple art forms the Mansion could stand as an enduring edifice to creativity and luxury and when crafting
This Haven Tiffany enlisted none other than the iconic architect Stanford white White’s name was synonymous with architectural Elegance during that period having designed the Washington Square Arch and the second Madison Square Garden additionally we’ve featured Stanford White’s achievement before in other episodes here at Old Money Mansions now completed in 1885 the
Tiffany Mansion stood as an architectural tour to force a physical embodiment of Lou comfort’s unique Artistry and a symbol of his illustrious family Legacy not just a residence but a monument to American Art and Design the Tiffany Mansion Incorporated Tiffany’s passion for various artistic mediums into its very walls while also serving
As a beacon of his achievements this structure often associated with Louis Tiffany alone was in fact an amalgamation of three distinct Apartments the first reserved for Charles Lewis Tiffany remained unoccupied a poignant symbol of a son’s distant relationship with trade the second apartment belonged to Louis’s unmarried Sister Louise while the third
Spanning the fourth and fifth floors became the private domain of Louie himself this architectural Masterpiece reached New Heights with turrets balconies orial windows and a formidable tile roof as its cap yet its massive castle-like facade was met with mixed reviews some finding it in congruent with the concept of a domestic dwelling
In contrast others hailed it as one of the nation’s finest examples of residential architecture one feature often overlooked but equally spectacular was the Colossal Gable facing Madison Avenue it had a 15 panel window that glowed onto Louis Tiffany’s opulent Studio which was 80 ft wide and towering in height this studio veiled in
Curiosity and mystery became integral to the Mansions Allure as the 1890s unfolded the Tiffany Mansion evolved into a symbol of opulence and artistic prowess it was an embodiment of Louis Tiffany’s unique artistic Vision a fusion of Islamic motifs and natural elements in the art Nuvo style indeed
The Mansion stood as a symbol of Tiffany’s mastery in stained glass with its Windows captivating viewers with depictions of nature religion and mythology Additionally the mansion’s opulence extended Beyond its stained glass windows as Tiffany commissioned custom furniture and Furnishings crafted from precious metals and gemstones it thus became an artistic headquarters
Where art luxury and Innovation coexisted harmoniously however with such a grand entrance into the world of architecture it seems almost unimaginable now that one day the this lovely home would meet its eventual end due to a Confluence of harrowing factors that we will soon discuss throughout its Heyday the
Tiffany Mansion would play host to Lavish social events that further solidified its position as the epicenter of New York’s Elite Society the mansion’s opulent interiors and Tiffany’s artistic Innovations were showcased to the city’s luminaries and foreign dignitaries who marveled at its Grandeur as they enjoyed a series of
Socialite Suarez hosted by Lou Comfort Tiffany himself indeed these gatherings transcended mere entertainment they were pivotal in solidifying Tiffany’s position as a leading figure in New York Society furthermore for a while amid economic downturns the Tiffany Mansion displayed astounding resilience and the year 1912 marked a period of remarkable Innovations showcased within the
Mansions walls with Innovative techniques such as the copper foil method and faval glass taking sent enter stage these pioneering methods not only earned Tiffany recognition but also set new standards in stained glass production soon thereafter World War I would leave an indelible mark on the Tiffany Mansion Louis Tiffany leveraging
His wealth and influence actively supported the war effort and the Mansion would serve as a venue for fundraising events that rallied the community to contribute to the cause in addition to financial contributions Tiffany opened the mansion’s doors for a noble purpose it became a training center for nurses
Under the American Red Cross and also housed a military hospital where wounded soldiers received essential care thus during this period the Tiffany Mansion went beyond its role as a symbol of opulence it became a place where people came together to support the troops and provide vital Aid to the wounded yet as
They always say no good deed goes unpunished and true to form shortly after the cessation of hostilities in World War I and ironically during the economic boom of the Roaring 20s Louis Comfort Tiffany’s fortunes and thus his lovely home would be put in heart-stopping Jeopardy in 1922 the Tiffany family came
To face Financial struggles that affected the upkeep of their Sumptuous Mansion specifically Lou Comfort Tiffany’s sister Louise had to provide the foundation with $7,000 in funds equivalent to over $100,000 today and she repeated the gesture the following year with an additional 10 ,000 gift which Tiffany himself also matched the
Building was crumbling a Terrace had collapsed under the weight of snow and combined with a hefty legal retainer to their lawyers the foundation’s finances were in Peril by 1927 the Tiffany family had decided to sell their Tiffany Park estate in Irvington to the matthewson family this marked the first shift in
Ownership of the Mansion which had been the site of Charles Tiffany’s Mansion since he and his niece’s husband Banker James L Dunham purchased 50 acres from a financially strapped Ellis in 1863 and the Great Depression in 1931 further accelerated the mansion’s decline the economic realities of the time along with several cumbersome
Maintenance issues at Laurelton Hall made the foundation’s financial situation increasingly precarious the house and its grounds required constant upkeep and the foundation’s endowment needed to be frequently mined to keep the estate running Tiffany died in the 72nd Street house in 1933 and within three short years his family’s Great Mansion was demolished in
1936 however this story May arguably not have a sad ending for the demolition of the Tiffany mansion in 1936 was not just an isolated event it served as one of the catalysts for an architectural revolution in the subsequent decades several decades after the demolition of the iconic Tiffany Mansion New Yorkers
Rallied for change after learning of the loss of such a magnificent structure in 1965 mayor Robert F Wagner would sign groundbreaking legislation that resulted from this public outcry and established the landmarks preservation commission the destruction of the Tiffany Mansion along with other heartbreaking demolitions like that of the old Penn
Station likely served as a poignant reminder of what was at stake influencing New York’s Newfound commitment to safeguarding its architectural gems additionally the Tiffany Mansion continued to live on in Collective memory partly thanks to its depiction in popular culture during the 1990s films such as Woody Allen’s Manhattan and the bonfire of the
Vanities along with the iconic television series Sex in the City paid homage to the mansion sparking renewed interest in its history in Manhattan specifically Woody Allen’s character debates modern architecture within the Mansion setting subtly criticizing the movement that often led to the loss of such historic buildings likewise in the
The bonfire of the vanities the Mansion is a backdrop to the social intricacies of New York’s Elite capturing its lasting cultural influence thus even decades after its demolition the Tiffany mansion’s Allure remains practically undiminished in the 2010s it featured prominently in historical texts and exhibitions with a notable example being
Its inclusion in the 2012 Exhibition at the Museum of the city of New York titled lost New York such references signal an ongoing fascination with the mansion and by extension a continual examination of the importance of architectural preservation in shaping a city’s identity indeed the long-term impact of the mansion’s demolition on
New York’s cultural and Architectural scene may be difficult to quantify but its absence speaks volumes during the middle of the Gilded Age in the city that never sleeps where steel meets sky and ambition knows no bounds two Monumental landmarks Mar s once soared Above the Rest the aster and
Waldorf hotels think of them not merely as hotels but as palaces of Dreams Peak shrines of American extravagance erected in 1905 the ASA Hotel was a Celestial Wonder an embodiment of Bozard Elegance crowned by a sky Garden that almost touched the heavens just as Stones throw away its sibling rival the original
Waldorf Hotel had already unfurled its opulence in 1893 a monolith of Majestic architecture this masterpiece was conceived by none other than the iconic Henry Janeway hardenberg inspired by the lofty German Renaissance ideals yet what fueled such grandiosity family or specifically the AA family one of America’s most storied old money
Dynasties William Waldorf Aster graced Fifth Avenue with the Waldorf first laying down the gauntlet not to be outdone his cousin John Jacob Aster IV took the challenge headon responding with the atoria hotel each structure a flamboyant rebuttal to the other and yet despite standing as monoliths of Splendor these icons of opulence faced
An unforeseeable Destiny they eroded crumbled and ultimately were raised to the ground in this thrilling installment of old money Mansions join us as we retell a saga that consistently Echoes through the corridors of architectural history why were New York’s most opulent hotels demolished in the bustling Urban
Landscape of Gilded Age New York City amidst fifth Avenue’s burgeoning architectural Splendor emerged the unparalleled Duo of the ASA and Waldorf hotels stemming from a family rivalry between the affluent cousins William Waldorf Aster and John Jacob Aster IV these luxurious Havens were erected as monuments to both Grandeur and
One-upmanship it all begins in 1893 when William Waldorf Aster inaugurated the Waldorf Hotel an opulent German Renaissance Marvel designed by the eminent architect Henry hardenberg four years thereafter itching with family rivalry William’s cousin John Jacob Aster IV would Grace the adjacent plot with the Towering atoria Hotel its particular design entrusted to the
Celebrated Architects schulzer and Weaver however trouble was soon a foot in the family’s Game of hotelier Thrones in its inaugural year Williams Waldorf Hotel faced skepticism and was colloquially known as Bolt’s Folly attributed to the proprietor George bolt with critics condemning the luxurious hotel as a blight upon a respectable
Neighborhood however parrying the media’s doubt bolt ingeniously planned a charity concert for St Mary’s Hospital for Children the day after the hotel’s opening with tickets priced at $5 $163 in today’s currency New York’s Elite filled the Grand Ballroom dismissing earlier skepticism thus by the end of its first year in 1893 the
Waldorf had generated an incredible 4.5 million in Revenue an astonishing sum for the time that would equal over $100 million in 2023 not long after in 1897 John Jacob Aster IV inaugurated the atoria hotel adjacent to the Waldorf quickly seizing on an even larger opportunity the cousins soon agreed to a truce creating
A unified entity known as the Waldorf aoria with 250 ft stretching from the sidewalk to its highest point this combined Colossus rained as the world’s largest hotel having the buildings eventually being connected through a 300t marble Corridor known as Peacock Alley this Peacock Alley was soon seen
As a grand prominade for the who’s who of New York high society that connected the Waldorf and Historia hotels becoming an enduring symbol of the combined social and business establishments now at a staggering expenditure of approximately $5 million equivalent to 138 million today the Waldorf Hotel graced fth Avenue and 33rd Street with
Its German Renaissance structure consisting of an impressive 450 guest rooms 15 opulent public rooms and an additional 100 rooms designated for staff intricate architectural features such as loia balconies and Gables adorned the exterior inside a breathtaking Garden Court featuring fountains and terracotta walls offered a sanctuary of Splendor Sienna marble
Mosaic tile floors and a coffered ceiling framed the entrance hall immediately declaring the building’s opulence to anyone Crossing its threshold delving further into the Waldorf you could see a marble entrance that leads to the Empire Room this dazzling space furnished with an Al Cove featuring elevators and a grand stair
Case swiftly gained notoriety as one of New York City’s Premier dining establishments rivaling even the likes of delm Monico and sher’s you see the room was an empire style Marvel resplendant with mahogany pilasters gilded accents and lavish frescos adjacent to this culinary delight was the Marie Antoinette parlor An Elegant
Reception room graced with 18th century European antiques including a cherished bust of Marie Antoinette bearing artistic Excellence the ceiling showcased Fresco by Will hiok low with the birth of Venus as the central piece further enhancing the hotel’s Splendor was the gentleman’s Cafe a hunting themed Sanctuary adorned with robust
Black Oak paneling and stagghorn shant this was complemented by Suites such as the Henry IV drawing room furnished with rare French and Italian antiques as well as a banquet hall seating 20 and a music room and while the Waldorf was indeed a paragon of opulence its sibling the
Aster Hotel was no less Grand opened in 1897 and situated at the intersection of Fifth Avenue and 34th Street this 16 story Marvel was also designed by Henry J hardenberg boasting 25 public rooms and 550 guest rooms its Dimensions were grandiose extending 270 ft from its sub
Basement to its roof line constructed of stone marble and brick its architectural style was a harmonious blend of French Second Empire and Austrian Barack influences a double set of plate glass doors graced the entrance alongside a U-shaped driveway for carriages and horses as you would navigate the aster
To the left of Peacock Alley resided the aster dining room this expansive space showcased Italian Renaissance pilasters Russian marble columns and silk hangings in Rose Pompadoras a triple height dining venue adorned with a dome likee roof of amber glass here the Italian architectural influences were elegantly portrayed through gray and terracotta Hues embellished with pavano marble the cafe found on the 34th Street side was a spacious room finished in English Oak and accented with German Renaissance and
Flemish decorations proceeding to the first floor you’d find the aster Gallery a luxurious space graced with towering French windows and a color scheme of blue gray and gold nearby the colonial room contrasted its red Ambiance with white woodwork adding another layer of complexity to the design palette on the
Second floor a private Suite of apartments in Old English Oak offered a range of amenities including large drawing rooms and a Butler’s pantry and above the third floor the hotel transitioned to Suites and bedrooms each offering unique luxuries like individual baths and spacious trunk closets however the crown jewel in the aster was
Undoubtedly the ballroom conceived in the Louis the 14th style this grandiose space could accommodate 700 guests for banquets and 1,200 for concerts adorned in shades of ivory gray and cream it welcomed the most cherished voices of its day with seasoned tickets for musical performances costing up to 350
Around 12 Grand in today’s dollars underscoring the high value placed on cultural offerings held Within These hallowed walls upon entering the Zenith of the hotel you’d find a paradisical roof Garden encased in glass adorned with ratan Furnishings in shades of pale green and pink a stroll along the 34th
Street side revealed the grand prominade Peacock Alley a lofty Terrace furnished with a Bandstand fountains and trellises adjacent was the Roof Garden rest Resturant possessing a high ceiling that stretches 24 ft above the floor at the corners of this exalted realm were spiral stairways within Towers ascending
To the copper roofs of pavilions that stand a staggering 250 ft above the ground level thus from its Subterranean Machinery to its skywood Gardens from its shaky Beginnings to its golden reputation the Waldorf and Aster hotels embodied both engineering excellence and unparalleled luxury forever imprinted in New York architectural and cultural
History now from their earliest days both the aster and Waldorf hotels became synonymous with glittering social events with philanthropic dinners and balls frequented by luminaries like Andrew Carnegie the resplendant extended to hosting dignitaries like Viceroy Lee hung Chang of China who in 1896 imported 100-year-old eggs and even his kitchen
Staff upon his departure Lee graced every female guest with a basket of roses and lavish generous tips on the hotel personnel the aster and Waldorf additionally pushed the envelope in Hospitality from Prince Henry of Prussia who enjoyed a private door and elevator to a staff forming an emergency Bucket
Brigade for his Royal Bath the level of service was unparalleled exclusivity extended to guest policies as well allowing only registered individuals access to Rooms thereby upholding a superlative standard of etiquette me membership clubs within the premises offered perks like preferential pricing and discounted spa treatments attracting an even more Elite clientele the waldor
Historia bar established in 1893 was the sanctuary of the city’s financial magnetes and Vivid personalities from Diamond Jim Brady to Buffalo Bill Cody even the cocktail world owes its Heritage to this establishment credited with inventions like the Rob Roy and the Bobby Burns but here’s the paradox the very Grandeur that made these
Establishments landmarks of American luxury also sowed the seeds of their own downfall as we sit here basking in the glory of the aster and Waldorf hotel’s most radiant days a looming Shadow creeps closer Whispering a harrowing question that we can no longer ignore what catastrophic chain of events could
Pull these icons down from their lofty Heights sadly the houseon days of the original Aster and Waldorf hotels soon met an inexorable decline compelled by an interplay of economic downturns ownership Transitions and societal Evolution thus as the years marched on the ASA family’s grip on the hotel industry loosened signaling a change in
Leadership that would have profound implications initially these Grand hotels had captivated New York City hosting society’s Elite and even contributing Innovations to the world of cocktails and Hospitality they epitomized luxury becoming glittering settings for illustrious balls philanthropic dinners and visits from foreign dignitaries but as the 20th century unfolded fresh competitors
Emerged luxurious new establishments like the St reges sprung up endowed with modern amenities that lured away clientele the aster and Waldorf found themselves as relics in a city that had moved forward the Glamorous heart of New York City shifting northward Beyond 34th Street then the Great Depression struck in 1929
Casting a dark shadow over these citadels of extravagance eroded by Financial constraints their luster dulled significantly setting the stage for a diminishing role in a city always chasing the next big thing adding insult to injury the costs of preserving their architectural Grandeur began to spiral out of control ensuring their structural
Integrity while maintaining lavish Interiors became an insurmountable challenge pushing them further into decline furthermore as nework York City evolved so did its land value the very ground upon which these hotels stood became coveted real estate more valuable than the Aging structures themselves this paved the way for the demolition of
The original Waldorf aoria in 1928 making room for none other than the Empire State building yet although the original Waldorf aoria was raised to make room for the Empire State Building the legend was far from over in 1931 a new Waldorf aoria was resurrected on Park Avenue and the name once again
Captivated the imagination of the public this new location recaptured much of the original grandure and became an iconic symbol in its own right playing host to presidents celebrities and dignitaries while it wasn’t completely shielded from the economic and societal forces that had impacted its predecessor the Park Avenue Waldorf aoria stood as an
Enduring Beacon of luxury proving that the Allure of a name could transcend time and place yet despite this Resurgence a definitive end was marked for the ASA family’s Hotel Empire on May 3rd 1929 when they sold their remaining interests to the developers of the Empire State Building the original structures disappeared their once
Mesmerizing Elegance archived in the New York Public Library but the Waldorf aoria name lived on solidifying its place as an Irreplaceable jewel in the crown of New York City’s Rich history picture a building that transcends the mere concept of a set of apart Apartments rather this iconic structure
Stands as an emblem of cultural sophistication and Architectural Brilliance indeed the Dakota building located on 72nd Street in Manhattan’s now illustrious Upper West Side has long served as the domestic home for cultural luminaries from rock gods to famed authors yet its Halls are equally famed for inexplicable phenomena rendering it
One of the most enigmatic locations one could reside in in today’s episode of old money mansions will embark on an architectural quest to unravel the design Mysteries that haunt this luxurious dwelling sifting through the evidence and the folklore striving to disentangle reality from Mere illusion within its stored
Walls on a crisp fall afternoon in 1880 an air of electric anticipation hung over a throng of Spectators assembled on Manhattan’s Upper West Side their eyes were fixed on an architectural Marvel poised to redefine opulence the Dakota Standing Tall amid quaint Brownstones the Dakota’s audacious facade of red
Brick and golden Sandstone struck a compelling contrast echoing an unequivocal ambition to stand apart indeed it wasn’t merely a building it was a canvas painted with audacity and vision by its creator Edward Clark now Clark was no ordinary developer affluent and forward thinking he harbored an aspiration to sculpt a Haven for New
York City’s creme Dill creme specifically he aimed to craft an edifice that could go toe to- Toe with fifth Avenue’s Grand Mansions yet infused the safety and amenities of modern apartment living and so Clark’s dream materialized in the form of the Dakota a paragon of luxury and technological innovation during its era
It was to be not only a place to rest your head but a symbol in The Art of Living Well central heating would warm the vast Airy Chambers while gaslighting cast a glow over hardwood floors and intricate fireplaces that were nothing short of art p pieces however Clark’s Vision transcended mere opulence he
Aspired to build more than just a residence but also a sanctuary for an intellectual and creative Fellowship a fervent supporter of the Arts himself he pictured the Dakota as a magnetic Hub where artists authors and musicians would coales amplifying each other’s creativity but Clark’s Ambitions didn’t stop at the Dakota’s luxurious walls he
Viewed the Upper West Side then a sparsely populated District as a fertile ground awaiting cultivation he rightly anticipated that the Dakota would spark a chain reaction transforming the area into a flourishing enclave and time would vindicate his foresight architecturally the Dakota is a fusion of aesthetic sensibilities Romanesque arches coexist with Gothic
Embellishments and Renaissance flare its central tower accompanied by smaller turrets crowns the facade embellished with crenellations that lend the structure and air of an urban castle and and indeed stepping inside is an experience in itself the grand Lobby unfolds as a Cathedral of affluence marked by Sky High ceilings supported by
Towering marble pillars residences feature spacious layouts punctuated by grandiose fireplaces and sweeping hardwood floors thus from its earliest days the Dakota became a magnet for High Caliber tenants cultured accomplished and globally recognized painters like Edward Hopper and Winslow Homer literary icon Edith Warton and musical virtuoso Leonard Bernstein
Were among its pioneering occupants this Ensemble of luminary tenants along with its prime location Facing The Verdant expanse of Central Park catapulted the Dakota into becoming a highly coveted address its Inception marked not just the birth of a building but the transformation of the Upper West Side a crucible of New York’s burgeoning
Affluence and Cosmopolitan sophistication as for the name the Dakota it was purportedly said so nicknamed because at the time of its construction the Upper West Side was considered as remote as the Dakota territory this humorous Monica underscores the pioneering spirit that imbued this iconic building a spirit
That turned a remote area into a Cornerstone of Manhattan Elegance now at the dawn of the 20th century The Dakotas Allure as a sanctuary for the Stars reached Celestial Heights stage and Screen luminaries like Judy Garland and Boris carof found their Haven within its stored walls these glittering
Personalities were not just enticed by its opulent suets and sweeping Park views they were equally Enchanted by the privacy and security that the building unfailingly offered precious Commodities in the world of Fame surprisingly even the Grim era of the Great Depression failed to dim the Dakota’s luster despite the pervasive economic Gloom the
Building remained a siren Call to wealthy New Yorkers the rent though lofty was Within Reach for the city’s well-healed denisons during these years the Dakota became a refuge for such cultural Titans as actress Rosalind Russell wit and writer Dorothy Parker and musical genius Cole Porter in the face of adversity these figures
Maintained their upscale lives ensconced in luxury that bellied the nation’s troubles thus by 1957 the deota had etched its name so deeply into the cultural fabric of New York that it was christened a city landmark this wasn’t just a protective designation it was an Accolade that cemented the building’s
Place as a historical and cultural epicenter safeguarding its eclectic architectural Grandeur for generations to come and the 1960s saw the Dakota soaring to new Pinnacles of cultural prominence a recurring backdrop in seminal films like Rosemary’s Baby and Classics like the way we were it became Inseparable from American pop culture
Visitors and celebrities thronged the building spell Bound by its illustrious lineage and Architectural Splendor its towering presence became not just a luxury residence but a living Narrative of New York’s glamorous and intricate past however during the 1970s and 80s the Dakota’s radiant Aura encountered a series of eclipses that cast Shadows
Across its fabled existence on the 8th of December 1980 the aura darkened immeasurably when John lenon the iconic musician and resid was slain at the building’s entrance the air once filled with the optimistic cords of Imagine now felt thick with sorrow and incredulity globally hearts achd and the Dakota too carried the
Profound burden of that grief it is indeed harrowing how the soul of a building can shift not by its own actions but through external events that play out on its threshold desperate to salvage the Dakota’s earlier Charisma the co-op board enacted a Labyrinth of stringent policies gaining resident y
Was no longer just arduous it had evolved into a Herculean trial designed to fortify these regulations were critiqued as potentially exclusionary walking a fine line between sanctuary and elitism the building’s formidable Gates stood as dual emblems equally inviting and repelling depending on one’s vantage point in 1984 the Dakota’s complex Persona acquired additional
Layers of complication allegations of wrongful eviction and anti-semitic sentiments Ratt L the building’s foundations albeit metaphorically although these charges receded into the obscurity of outof Court resolutions the tarnish on the Dakota’s reputation remained indelible by the time 1988 rolled around the building’s security architecture had been elevated to
Fortress-like levels a matrix of cameras scrutinized every inch guards patrolled its corridors and Gates stood Sentinel at its entrance for some these measures transmuted the Dakota into an impossible ible Citadel contrasting sharply with its Ur while identity as an inviting Hub of culture and creativity thus the es
And flows of History remind us that structures like the Dakota are more than mere conglomerations of stone and wood they are living entities pulsating with the joys and Sorrows that life bestows upon them now as you might know Yoko Ono has long been an influential Catalyst in shaping the Dakota’s narrative since
Purchasing an apartment with John lenon in 197 to a space she would hauntingly continue to occupy after his 1980 assassination Ono has wielded her platform to Champion peace and Justice from within the Dakota’s stored walls in 1991 she graced the rooftop with a radiant white imagine sign a visual echo
Of Lennon’s Timeless Hymn for Unity and love a year later she Sanctified Strawberry Fields a verdant sliver of Central Park opposite the Dakota as a memorial to lenon through her Artistic Endeavors and vocal activism Ono has not only elevated the building’s cultural prominence but also enriched its
Atmosphere molding it into a beacon for creators and Advocates alike even during the 2008 financial Maelstrom the Dakota remained largely unshaken its roots anchored deeply within the realm of New York real estate this resilience can be credited to its Co-op structure offering its residents of communal control over finances and decision-making processes
Nestled in the perennial sought after Upper West Side its location adds another layer of immunity to Market volatility preserving the value of its lavish Apartments thus even with its Hefty price tag and exhaustive vetting process the Allure of the Dakota continues to bewitch high-profile names A constellation of celebrities ranging
From Madonna and sting to David lamman and the late Lauren ball have all been captivated by the building’s amalgamation of historical Allure strategic placement and Fortress like security and in 2018 a comprehensive renovation graced the Dakota merging its Timeless Elegance with modern-day opulence meticulously supervised by the co-op board and an ensemble of
Architects and designers the refurbishment left no stone unturned though it conscientiously preserved the building’s iconic facade and original elements the updates were not merely superficial but penetrative reaching into the architectural skeleton to bolster infrastructure and extend new amenities both residents and critics celebrated these modifications confirming the
Dakota’s indelible status as one of the most enviable residences in the concrete Canyons of New York City these days in the face of an ultra competitive New York real estate market that has seen record sales and Skyhigh prices the Dakota maintains its stature as one of the most coveted addresses in
The city indeed the escalating median sale prices of its apartments from 10 million in 2019 to 11.5 million in 2020 and reaching $ 12 million in 2021 demonstrate the building’s enduring Allure several factors contribute to its magnetism the Irreplaceable vintage charm a prime location on the upper west
Side and a roster of residence graced by the glitterati security is also a top priority adding yet another layer to its appeal and in embracing the wave of technological advancements the Dakota is no la good a 2022 overhaul saw the implementation of a cuttingedge security apparatus encompassing updated camera
Systems Advanced access controls and sensitive intrusion detection mechanisms the aim for this is unambiguous to offer an impregnable Sanctuary for its illustrious inhabitants likewise lifestyle amenities received a fresh infusion of modernity a new fitness center replete with state-of-the-art equipment and a luxurious Spa offering an array of treatments were unveiled to
Residence thus the fusion of historic elegance and contemporary conveniences positions the Dakota as an exceptional dwelling that offers the best of both epochs it AJ a position that residents find irresistibly captivating enabling them to luxuriate in an environment that is both anachronistic and avantgard furthermore Beyond its physical attributes the Dakota has indelibly
Imprinted itself on the American cultural psyche its frequent cinematic and televisual features coupled with its association with watershed moments like John Lennon’s assassination make it more than just a structure it’s a narrative focal point where culture tragedy and celebrity intersect The Great Gatsby is a novel and subsequent set of films that has
Stood the test of time capturing the essence of the Gilded Age in America its descriptions of decadence class and power relations in The High Society sects of the Gold Coast on Long Island New York during the Roaring 20s paint a vivid pict picture of an area filled with the Magnificent Gilded Age Mansions
Of the Gold Coast Area inspiring artists writers and socialites alike from the Majesty of their architecture to the glamour of their parties these Mansions represent the excess and extravagance of the era so raise that high ball glass of your Leonardo DiCaprio style and let’s take a journey into the five most
Amazing mansions of the Gold Coast that served as Inspirations for The Great Gatsby both the novel and its film adaptations number five Beacon Towers at Sans Point New York in the midst of a time of eye watering wealth on Long Island’s Gold Coast one house stood out a house that
Was said to have inspired the creation of the iconic Mansion of Jay Gatsby according to F Scott Fitzgerald Gatsby’s sprawling abod looked like a factual imitation of some Hotel Deville in Normandy with a tower on one side spanking new under a thin bead of Roar Ivy and marble swimming pool and more
Than than 40 acres of land indeed as we can see in addition to the word tower literally being in this palacial estate’s name its spires overlooking the water would be an excellent living representation of Fitzgerald’s vision for Gatsby’s Mansion regarding its creation Beacon Towers was the brainchild of Alva Vanderbilt Belmont a
Woman who was known for her insatiable appetite for building Alva was a true Builder holic commissioning architectural Marvels left right and center from her famous Vanderbilt Shadow on Fifth Avenue to the still-standing Palace in Newport Road Island called marble house she was a woman who knew
How to make a statement her passion for building was so great that she even became the first woman ever elected to become a member of the American Institute of Architects some say it was because she commissioned so many houses in her lifetime in 1917 Alva had the architectural firm hunt and Hunt design
For her castle overlooking the Long Island Sound she is said to have remarked upon seeing a real Scottish castle that her house on Long Island was more authentic the result Beacon Towers is a remarkable work of architecture with a fascinating blend of influences that give it a unique character while it
Is primarily classified as a Gothic style building it also incorporates elements of other historical Styles including the Alcazar of Spain which are fortified castles or palaces with distinctive architectural features in addition to this the designers of the Mansion Drew in inspiration from illuminated manuscripts from the medieval period which often depicted
Castles and other Grand structures inside the beacon Towers there were numerous rooms with the primary rooms numbering around 60 and the total room count exceeding 140 this is an impressive feat of engineering as it required careful planning and construction to accommodate so many spaces within a single building each
Room likely had its own unique Purpose with some being used for dining others for entertainment and still others for sleeping or working the exterior of the Mansion was equally striking with the entire structure being coated in a smooth gleaming white staco this gave it a clean polished appearance that would
Have made it stand out from the other buildings in the area it also would have required a great deal of Maintenance to keep it looking so pristine which speaks to the level of care and attention that the owner likely put into the upkeep of their home as we’ll see in a minute the
Location of Beacon Towers had a key role to play in relation to other homes that inspired mansions in The Great Gatsby but years after the book was published in the late 1920s William Randolph Hurst the ultra wealthy media Tycoon and builder of California’s famous Hurst Castle purchased Beacon towers and
Renovated it making it even larger and more opulent however as with all things in this world nothing stays the same forever the house was demolished in the early 1940s leaving behind only memories of its Glory St days despite this Beacon Towers is firmly planted in the history
Books as a direct inspiration for one of the greatest novels in American history number four Lands End at Sand points New York next on our list for Sumptuous residences that inspired The Great Gatsby is an iconic Gold Coast mansion that stood for over a century it is most
Often cited as the inspiration for the home of Tom and Daisy Buchanan although its architectural provenant are shrouded in mystery and rumor to this very day known colloquially as Land’s End this Grand estate has been the subject of much speculation with some attributing its construction to none other than the
Esteemed architect Stanford white and yet such claims remain unverified for if the Mansion was indeed erected in 1911 as some suggest it could not have been the work of white who had long since passed on by that point but even if we set aside such uncertainties what do we
Make of this Mansion certainly it possesses classic Grandeur with its white facade and imposing columns features common to many mansions of its ilk furthermore Land’s End Mansion was one of the last Gilded Age jewels of the Gold Coast and was a sailing Landmark that Rose above its surroundings with
Grandeur and Grace if you take a look at maps of the immediate area you’ll also notice that in the book both the Buchanan mansion and Gatsby’s house are situated on the same side of the harbor and they’re even within walking distance of each other along the beach while it’s
Uncertain whether you could see Daisy’s house from Gatsby it’s clear that they’re not on opposite sides of the water in fact both Mansions are located in sans’s point at the tip of Port Washington Fitzgerald is known to have reimagined sans’s Point as East egg in his novel a place where old established
Money resided as opposed to the flashy new millionaires like Gatsby who would have lived in West EG in reality this would have been the town of Great Neck New York where Fitzgerald himself lived while Great Neck did have some Estates and mansions of its own they were
Generally not on the same Grand scale as those in sans’s point though the town still Drew many famous people from Broadway and the art scene returning to the matter of the Gatsby and Buchanan Mansions themselves both homes faced East towards the shore of Glen Cove according to the book Gatsby’s Mansion
Would have been on the eastern shore of Great Neck looking across at the western shore of Sand’s point where Daisy’s Mansion was situated thus if you visit the area and have Fitzgerald’s book or even simply watched baz Lan’s 2013 film adaptation of The Great Gatsby you will
Likely recognize the parallels of both L end and Beacon Towers due to their locations which surely has made it easier for filmmakers to plan how to shoot famous scenes however to complete your understanding of the geographic relationship of the Mansions of The Great Gatsby you’ll most certainly need
To answer where was the iconic dock located which we answer in number three Pembrook Glen Cove New York on the other side of the water from Beacon Towers or as we now can think of it Gatsby’s Mansion stood a home so Grand so spectacular that it defies easy description this was Pembrook a
Sprawling estate situated in Glen Cove built by the illustrious Captain dear before being purchased by Marcus low the famed movie theater magnate it was at Pembrook that Fitzgerald likely attended some of the most rockus and extravagant parties of the RO in 20s where the glitterati of Silent Cinema including
Legends like Gloria Swanson and Rudolph Valentino would come to see and be seen one can only imagine the inspiration that Fitzgerald Drew from these revelries which served as the basis for many of the parties depicted in his novel and let us not forget the dock a long slender stretch of wood jutting out
Into the water culminating in a light that sha like a beacon in the darkness I’m sure many of us remember the key part the dock even in the recent 2013 adaptation it must have been a sight to behold visible even from the windows of Gatsby’s own Mansion this was no
Ordinary home it was designed for entertaining on a grand scale with long spacious party rooms that could accommodate hundreds of guests at a time a sprawling edifice spanning some 60,000 Square ft this opulent estate boasted no less than 12 bedrooms and 12 baths along with a bilard room Den dining room and
Mirrored breakfast room and yet there was more to this Mansion than just its impressive Dimensions the owner Captain dear was a man of many talents including a remarkable proficiency on the pipe organ an instrument he would play at the base of his own stairway from the mansion’s large Windows one could gaze
Out upon the Exquisite Gardens the private bathing casino and the boat landing on the Long Island Sound but that’s not all for the truly athletic there were squash courts shooting ranges and even a gymnasium to keep one’s body in Peak condition and when it was time to unwind there was a private movie
Theater adorned with murals depicting some of the era’s most popular silent films including perhaps such Classics as the Chic but sadly as with many of the homes on this list and indeed Gilded Age Estates in general pem’s Grandeur was lost to time in the 1960s the Mansion
Was torn down and replaced with a collection of smaller homes marking the end of an era and the passing of a legacy number two Harbor Hill Roslin built for Clarence Hungerford McKai and his wife Kitty duer this Mansion overlooked Hemstead Harbor on Long Island’s legendary Gold Coast with
Some 80,000 Square ft of living space this Mansion ranks as the eighth largest historic house in the entire United States a testament to the boundless wealth and ambition of its owners yet this Mansion was more than just a symbol of extravagance it is likely a key inspiration for the Great Gatsby as well
See the McKays were known for throwing big and lavish parties and they did so often one of their most famous parties was held in 1924 for Edward Prince of Wales who was visiting New York for the first time that night they invited an astounding 1,200 guests to the party and
It was a sight to behold the maples that lined the drive were decorated with small blue lights and the roof of the house was covered in red white and blue lights arranged to look like the American flag the lights were so bright that they could be seen from far away in
Roslin Harbor some scholars believe that this party and its striking decorations inspired F Scott Fitzgerald to consider calling his new book under the red white and blue before ultimately settling on The Great Gatsby now this incredible Mansion was the creation of architect Stanford white who unlike the rumors
Around number four Land’s End definitely did create this building and is Marvel of design and Engineering that stood as the largest private residence ever completed by this celebrated master of his craft the approach to Harbor Hill is a breathtaking facade rought iron gates covered with a slate mansard roof stood
Sentry on either side of the entrance flanked by Ivy covered Stone Gate lodges that remain to this day listed on the national register of historic places a mile long drive lined with Majestic maple trees and costing a staggering $150,000 to build wound its way up the Steep Hill towards the Baro style shadow
That awaited at its peak but the true marvels of Harbor Hill were found within the Interiors designed by Allard and Son of Paris and Davenport and Sons of Boston were a Marvel of opulence and excess overseen with exacting Care by none other than Kitty McKay herself the
Entrance hall paneled in Rich Oak and lit by a dominant brass lamp boasted a wide staircase with an intricately carved banister leading up to a a grandfather clock on the first landing and at one end of the room stood a vast marble fireplace excavated from a European Palace flanked by 17th century
Tapestries and choir stalls salvaged from an old French church but it was Kitty’s bathroom on the second floor that truly defied description a masterpiece of design and Engineering with a bath alone costing a staggering $50,000 carved from a single block of marble and sunk into the floor the
Bathroom was an extension of her dressing room and vast budoir which occupied most of the second floor and boasted soft Furnishings lamps tables and even Palm fronts and let us not forget the treasures that awaited in the other rooms of Harbor Hill the library dining room and billiard’s room with
Their immense marble fireplaces polar bear and tiger skin rugs and dozens of trophy Stags heads and the white drawing room which doubled as a ballroom decorated in the white and gold style of Louis the 15th with panels of mirror mirrors and no windows to speak of and
As if all this were not enough Harbor Hill also boasted one of the greatest private art collections in all of America filled with masterpieces from the Renaissance Era by such luminaries as belli Raphael duio and Mana number one OA Castle New York and last we end on perhaps the
Crowning Jewel of the Great Gatsby’s influence if for no other reason that it is meticulously maintained today and you can visit it and walk its Majestic grounds and Interiors oeka Castle the Magnificent estate served as arguably the key inspiration for the Grandeur and excess of Leonardo DiCaprio’s mansion in
Bas Lan’s 2013 adaptation of The Great Gatsby however outside of a simple Hollywood visual update to truly appreciate the Splendor of oeka castle one must delve into its fascinating history a story of ambition wealth and Architectural genius the story of hea Castle begins with its owner Otto Herman
Khah a Titan of Industry finance and philanthropy who made his fortune in the early 20th century in 1914 khah Enlisted the services of the renowned architectural firm Delano and aldrid to design his dream home a grand and opulent estate that would be the Envy of
All who laid eyes on it and so it was that oeka castle began to take shape a sprawling French style shadow that would come to be one of the most ionic homes in America construction of oeka Castle was a Monumental undertaking taking 3 years and over 1,000 workers to complete
The castle boasted 127 rooms 39 of which were bedrooms and was set on over 400 Acres of meticulously landscaped Gardens ponds and fountains the Interiors were every bit as magnificent as the exterior with Rich wood paneling intricate carvings and ornate chandeliers throughout one of the most striking
Features of oeka Castle was its Grand Ballroom a vast double height space with a soaring ceiling and crystal chandeliers that illuminated the room with a dazzling light the ballroom was the perfect setting for Khan’s legendary parties which were attended by some of the most prominent figures of the day
From politicians and business magnets to movie stars and socialites but the true Marvel of oeka Castle is its grounds a veritable Paradise of gardens Terraces and water features that stretched out for acres in every direction the gardens are laid out in a series of formal parter with Hedges and flower beds
Arranged in intricate patterns The Terraces offered sweeping views of the estate and the surrounding Countryside while the ponds and fountains provided a sense of tranquility and calm it is Little Wonder then that oeka castle served as the inspiration for the opulence and extravagance of Lan’s film adaptation for oeka Castle is not merely
A home but a true work of art a testament to the power of wealth and Imagination and a reminder of a bygone era of Glamour and excess so you’ve joined us once again and a curious question has already formed in your mind why would the bustling Metropolis New York City the
Big Apple the city that never sleeps choose to demolish one of its most treasured architectural icons Pennsylvania station adorned in Rich Boart Glory was once a proud beacon in the rapidly growing New York skyline each of its ornate waiting rooms broad concourses and grand staircases were works of art echoing stories of
Countless Journeys and heartfelt reunions whispered in the hallowed Echoes of its cavernous Halls yet as The Bard would say therein lies the rub how did such a remarkable Monument to Grandeur and elegance succumb to the swing of the wrecking ball replaced by a functional but far less or inspiring
Transportation Hub in today’s episode of old money Mansions we will guide you through the captain ating story of its creators their daring Vision to construct such a Grand Station in the heart of America’s largest city and its unfortunate downfall as we describe why New York’s most beautiful public building was
Demolished in order to answer this question fully of course we’ll have to explain why the legendary old Pen Station in New York was built in the first place in the beginning it was meticulously designed as a formidable competitor to New York’s Grand Central Terminal with the clear aim to endow the
Pen railroad with an uninterrupted conduit into Manhattan indisputably the Paramount economic Hub in America during that period before the rise of this iconic early 20th century Landmark Manhattan’s only Railway Gateway was monopolized by the Vanderbilt family’s New York Central Railroad which came from the north across the Harlem River
The transportation landscape of New York was indeed considerably restricted with only the New York Central Railroad having the privilege of direct entry into Manhattan through Grand Central this created a rather challenging scenario for other railroads particularly the Pennsylvania Railroad seeking to establish a direct presence in the city the Pennsylvania Railroads
Initiative to break this Monopoly was spearheaded by its President Alexander Cassat who commissioned the construction of Penn Station born in 1839 in Pittsburgh Pennsylvania Alexander Johnston cassette was the seventh president of the company with his tenure running from June 9th 1899 until his death on December 28th 19 1906 Alexander
Was the eldest amongst his siblings and his career trajectory began as an engineer with the Pennsylvania Railroad over the years Cassat proved himself a maestro in managing Transportation Logistics in order to gain proper training he first graduated from the distinguished renier Polytechnic Institute a rigorous academic institution that also nurtured the
Genius behind the design of the brookin bridge Washington robling now cassette uncompromising work ethic exemplary integrity ity and steadfast commitment to the railroad its Workforce and stakeholders set him apart his Monumental achievements during the Industrial Age propelled him into the sights of The era’s Luminaries such as Vanderbilt Rockefeller and Morgan in
Fact he was one of the rare individuals to be known to have the sincere respect of financier JP Morgan for the Monumental task of constructing the old New York Penn Station Cassat entrusted the architectural firm McKim me and white a decision influenced by their reputable standing and successful past
Projects founded by Charles Fallen McKim William Rutherford me and Stanford white this firm was instrumental in shaping the architectural practice urbanism and the paradigms of the American Renaissance in New York at the turn of the century known for their distinct bozar masterpieces which Drew heavy inspiration from their European travels
The Firm was responsible for several notable works such as Columbia University’s Library the Brooklyn Museum in New York City the Boston public public library and numerous opulent residences in Newport Rhode Island in his quest for a grand and Monumental station Cassat found the perfect partner in McKim me and white whose reputation
For Designing such iconic structures made them the ideal choice for the project their prominence in the architectural realm and their ability to craft recognizable landmarks undoubtedly played a substantial role in cat’s decision to commission them for the creation of Penn Station the Station completed in 1910 was more than just an
Architectural spectacle it was a glittering Beacon of engineering innovation in fact the construction necessitated the creation of underwater tunnels beneath the Hudson River a feat previously unachieved before Penn Station passengers traveling from New Jersey to Manhattan had to complete their journey by ferry however the emergence of Pen Station revolutionized
This commute ushering passengers into a beautifully intricate towering Sanctuary forever altering the city’s Transportation landscape delving into the architectural Marvel that was the original Penn Station in New York the immediate standout feature was the imposing facade along 7th Avenue with its Northerly and southernly entrances equipped to admit carriages
And a central entrance designed for pedestrians it was indeed a sight to behold this centerpiece comprised six Doric columns the most modest of the Greek orders supporting a subdued entablature crowned with a distinctive Medallion the column spacing interestingly takes inspiration from bernini’s Piaza in Rome the structure
Was fashioned in the Boart style a tribute to the EOL de Boart in Paris the epoch’s most prominent and influential architectural institution the Bo Art style draws heavily from historical precedence primarily the classical Greek and Roman Aesthetics in keeping with this tradition the grand waiting room towering Above the Rest of the station
Was modeled after the bars of kacala from ancient Rome as passengers navigated through the the interior of the original Pen Station they would observe two contrasting segments of this Grand edifice on the left the waiting room with its impressive ceiling and on the right the train shed leading to the
Platforms the waiting room immediately commanded attention with its vaed coffed ceiling exquisitely carved out of stone while a similar design fashioned in steel Graces the train shed however the train shed swapped stone coffers for small panes of glass serving as skylights subtly Illuminating the space face the similarity in the groin Vault
Seen in both sections makes a striking impression going deeper into the waiting room arrivals could not help but noticed the Colossal entrances and exits bordering sth and eth avenues furthermore stairways leading to 33rd and 31st streets were perfectly positioned at the ends complemented by enormous clearer windows that allow
Natural light to flood the hall the coffered ceiling is fashioned out of travetine meticulously quarried from tiv on the outskirts of Rome interestingly this is the same stone that was used to construct Rome’s famed Coliseum thousands of years prior what set this room apart however was its astounding
Scale we must truly Marvel at The Soaring Heights of this enormous space dwarfing its occupants it was undoubtedly not just one of New York’s finest public spaces but also a globally significant architectural Wonder of its time ascending from the train platform into the station Travelers first encountered the extraordinary skylit
Train ship its design Drew inspiration from the renowned train sheds of Europe yet the forms resonated strongly with the stonework of the central waiting room what makes this structure particularly intriguing is the advanced engineering that went into its construction a testament to the technological prowess of the era the
Entire structure including the columns beams and arches were assembled from smaller sections all painstakingly riveted together to create an intricately laced framework thus Penn Station could completed 10 years into the 20th century was not only an architectural Masterpiece but also an Exemplar of the era’s engineering sophistication now intriguingly the old
Penn Station was not birthed from the generous hands of the government state or city a private Corporation the proud proprietor of the land and edifice was The Mastermind behind this Grand Venture this fact though seemingly insignificant at the time would later come to play a pivotal role in the station’s tragic
Demise you see the downfall of the old New York Penn Station was a result of a broader Narrative of decline that plagued the railroad industry and specifically the financial predicaments of the Pennsylvania Railroad this enormous station in the heart of Manhattan amidst one of the nation’s priciest real estate markets proved
Increasingly burdensome for the company to maintain by the Twilight of its Glory Days old New York Penn Station had shed much of its original Grandeur due to a confluence of factors among them the waning appeal of rail travel and the Advent of alternative modes of Transport notably air travel by then the
Proliferation of automobiles and the dawn of the jet age had significantly reshaped people’s traveling preferences culminating in a dramatic decrease in demand for train Services between 1945 and 1964 non-commuter rail passenger travel plummeted by a staggering 84% as more Americans chose to journey by car or airplane in a landmark shift in 1955
Air travel in the United States surpassed train travel for the first time by 1957 airliners had overtaken ocean liners as the favored means of traversing the Atlantic this declining demand dealt a devastating blow to train stations leading to their neglect and eventual demolition or repurposing the desire for alternative Revenue sources
Such as leasing the air rights above the station or converting the land for other uses also fueled the demolition of these Grand structures the dwindling interest in train travel was not only a product of the rise of air travel but also stemmed from the expanding highway system in the United States the creation
Of high-speed four-lane corridors facilitated road travel further undermining passenger rail travel Additionally the stringent sanctions and regulations imposed by the Interstate Commerce Commission or the ICC on the railroad industry significantly contributed to the waning fortunes of railroads consequently the once or inspiring station progressively devolved into a grimy deteriorating shadow of its
Former self the exterior once adorned with ornate pink Granite was now covered in filth and the interior marred by the intrusion of advertisements and modern alterations detracting significantly from its original Grandeur noted architectural theorist and critic Lewis Mumford in 1958 described the station as dingy dark and cheerless a mournful
Elery to its Fallen Glory now William zondor a renowned real estate magnet entered into a pivotal agreement with Pennsylvania Railroad President James simes in 1955 laying claim to the air rights of Penn Station born in the modest town of Paris Illinois zindorf relocated to the bustling Metropolis of
New York City at the tender age of three he forsook formal education at New York University to dive into the Cutthroat world of real estate a daring Gambler at Heart zindorf Senior had a flare for Gathering land Parcels for monumental projects among his crowning achievements was the meticulous assembly of 75
Parcels of land on the affluent east side of Manhattan which would subsequently morph into the site of the United Nations he had a hand in the development of iconic sites such as Century City in Los Angeles Roosevelt Field Shopping Center on Long Island along with various urban renewal Endeavors in Philadelphia and Washington
DC furthermore he collaborated with some of the most illustrious architects of the time including the likes of IM and LOB iier for his Grand projects zindorf senior had a reputation for being a Visionary in the realm of real estate development unfazed by debt he considered it a lever for his Grand
Plans he once famously quipped I’d Rather Be Alive at 18% than dead at the prime rate however his pensent for risk-taking would ultimately be his downfall leading to his bankruptcy in 1965 and the subsequent loss of his entire portfolio to creditors now the lucrative mid Manhattan station site was
The Prime Allure for zor’s involvement in the Penn Station project initially zondor conceived a plan to replace the station with a palace of progress a Merchandise Mart of colossal proportions however in a strange turn of events the Pennsylvania Railroad decided to seed its air rights for a new Madison Square
Garden and an office tower thus in 1961 the Pennsylvania Railroad Executives made the Fateful decision to dismantle the station and Lease out its airspace to supplement their income this triggered a public out cry with droves of people protesting the decision in August 1962 the action group for better architecture was established to
Spearhead the efforts to salvage the board structure but their Endeavors were to no avail the demolition of Penn Station a heart-rending spectacle commenced on October 28th 1963 and lasted until 1968 workers began tearing down the Majestic Limestone walls Stone Eagles and towering 30ft tall dor columns the demolition a pivotal event
That captured the media’s attention marked the bitter end of an era for this iconic edifice in a Bittersweet end to the tale the demise of the old New York Penn Station proved to be the Catalyst that ignited the modern historic preservation movement in the United States the Monumental loss spurred the
Establishment of the landmarks preservation commission and affected a change in the city’s development priorities thereby saving other historic structures such as New York City’s legendary Grand Central Terminal the preservation movement that sprang From the Ashes of Penn Station has since Been instrumental in the protection of thousands of architecturally historically and culturally significant
Buildings and sites across the country
20 Comments
Love watching the series of gilded age on sky I knew it was going to be great as he did downton Abby series as well
Love everyone wears hats in those days
Wow this is an excellent documentary about these historical grand NY palaces ❤❤
The rumor of how the Dakota was named is a myth. It was not named after the geographical Dakota territory because the building was thought to be remote at the time. The effort to bring North and South Dakota into the union (1889) inspired the name of the building.
They got taxed, like billionaires not paying taxes now, but like then they were made to play taxes.
The commentary is hilarious.".harmony and balance" there is nothing harmonious and balanced in such opulace. I'm sorry but I'm not buying that this house was built in only four years by a no name architect and it's association with New York orphan society raises some suspicions. Wiki says property was available because half was the orphan asylum. Google orphan trains and the sudden rise of insane asylum in the US. I can't believe it was tore down after only being in existence 40 ish years. Those buildings were made to last forever. The interior attention to detail is astounding and in my opinion makes the narrative impossible to be true. Every nook and cranny was highly detailed craftsmanship. The type of detail unheard of probably impossible to recreate today. I don't claim to have the answers. But I do claim bullshit on much of the history we are told. Just reading wiki descriptions of these amazing buildings shows u they basically cut and paste the same narrative over and over with names changed. The people in charge are not our friends.
if what you say about the early Swabs was true they never would have gotten to their glory to begin with. Nice fairy tale you weave. Typical Brit envy. Yes, you took them all down but what did you achieve? Your own legacy is destruction nothing more. The Good will prevail despite our enemies.
Old mud flood buildings, then found and demolished a short time later. Pre reset of civilization. They are much older than stated and demolished after VERY short life spans as no one was around to know how to deal with the tech in those buildings. The fireplaces had uranium, and it caused heat to be produced in the fireplace with no wood. Back then, radiation was considered harmless.
As a former NYC resident, NYC was the city of nightmares, not dreams. Crime, homelessness, overcrowding, overly expensive and racial discrimination was and is rampant. Just the races they discriminate against has changed. The subways smell of urine and rat droppings. People are nasty. Very little greenery. Just ugly cold concrete and brick. Glad I got out if there.
This is why Europe is so beautiful.. they respect and conserve their architecture. America is ran on a sesspool of capitalistic sociopaths. I thought Tiffany's mansion led to conservation changes.. so what is up with Penn Station later getting demolished? Makes no sense. I went to college in NYC and rode the LIRR in and out of Penn Station everyday. Then one day I went to Grand Central Station to take another train to see a friend and was just awe struck at the beauty. It's horrible what capitalism and narcissism did to our architectural heritage in this country.
beautiful building . im happy that the uk have beautiful buildings throughout like this . john lennon tho well he wasnt as nice as people make out . just ask his eldest son and his ex wife …. he wasnt peaceful had issues with his hands ….
A major dumb enough to not save a beautifull building like that, it could have contributed to NY as i sm sure it would have had milions of visitors, Versaille is still up! It takes stupidity of a person and everithing goes to dust!!! So sad!
This was an old world inherited building. Ruined as part of deleting the past.
Times change landscapes get demolished.
horrible this country has no respect for beauty
They destroyed it because its a city not a country estate in Newport, they took up too much prime real estate.
I love them but they had no chance in hell of surviving and were too big to move
I came here for the lost architecture not the life story of Charles Scwab.
Excuse me but those "cheap appartments" are $1.5mil for 2br and $525k for a studio
Love how he pronounces "SCHAAB"
This doc has, crammed into every available iota of space, the most florid purple prose I've ever heard. "Storied walls" indeed.